Data di Pubblicazione:
2015
Abstract:
This paper is part of the collective effort that sees many semoticians
increasingly applying their analytic tools to the Internet, in order to give birth
to an authentic “semiotics of the Web”, capable of shedding some light one our
time’s most interesting medium. In particular I deploy the tools of Lotman’s
semiotics of culture in order to approach censorship in the peripheries of the
Web — the galaxy of forums and imageboards (like the infamous 4han
) that refuse all connection betweens the Web and real life and defends personal iden-
tity online through the rigid use of anonymity. A textual analysis of an Internet
meme, the Rules of the Internet, a sort of constitution of these peripheries, and
its connections with censorship, is the starting point for a brief investigation on
the community of taste (Landowski) that gathers in such sites. This community,
also labelled as A–culture (Auerbach), appears to be extremely playful (some-
times even in a violent way) and to consider the whole Web as a playground.
Censorship therefore, along with other strategies, is exploited as a mean to
protect a certain semiotic domain , the playful one, from those who try to erase
the distinction between online and offline life–styles (among which the giants
Facebook and Google).
Tipologia CRIS:
03A-Articolo su Rivista
Keywords:
Web; Anonymity; Semiosphere; Rules of the Internet, Trolls, Semiotics
Elenco autori:
Thibault, Mattia
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