Artificial face and transhumanism in contemporary art

The article deals with the macro concept of visage: the generation of signs from gestures and interactions, its rhizomatic and multimedia narrative, its artistic representations, its origin and background for a new rise of perceived and perceptual signifiers in which human action, together with natural and machined action, become the co-authors of such articulation. The transhumanism issue concerns not only hybrid representations and perceptions but also all attempts at modalizing incarnation.