Data di Pubblicazione:
2019
Abstract:
This article tries to explore the meaning of the famous polemic of
the Sixties in which Barthes and Foucault supported the “nonexistence
of the author”, showing its ideological and non–scientific character and
the link with an anti–humanistic project whose philosophical roots are
found in Heidegger and the political ones in Marxism. It is further
argued that semiotics, in light of its competence on narrative syntax,
has the tools to show the scientific groundlessness and the pretentious
character of the controversy.
Tipologia CRIS:
03A-Articolo su Rivista
Keywords:
Author, Postmodernism. Ideology, Barthes, Foucault
Elenco autori:
Ugo Volli
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